57K views · 2.1K reactions | Apollo was George Balanchine's first collaboration with Stravinsky, marking a turning point in the choreographer's career. After decades of refinement by Balanchine, the leotard ballet performed today is our co-founder's longest surviving work. Revisit Apollo and the three muses this spring on the All Balanchine I program: nycballet.com/allbalanchine1spring Featuring Principal Dancers Unity Phelan and Taylor Stanley | New York City Ballet | Facebook
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57K views · 2.1K reactions | Apollo was George Balanchine's first collabo…
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34 reactions · 3 comments | Allegro Brillante dazzles with its intricate choreography, which Balanchine once said “contains everything I know about the classical ballet – in thirteen minutes”. See it on All Balanchine, JAN 22 through 29. | New York City Ballet | Facebook
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34 reactions · 3 comments | Allegro Brillante dazzles with its intricate ch…
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In a recent Anatomy of a Dance feature, Principal Dancer Tiler Peck shares how she grew into the role of Terpsichore, the muse of dance in George Balanchine's Apollo, while dancing it with fellow Principal Taylor Stanley. Don't miss Apollo, returning to the stage this week only on the Stravinsky Festival III program: nycballet.com/stravinskyfestival3 | New York City Ballet
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In a recent Anatomy of a Dance feature, Principal Dancer Tiler Peck s…
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George Balanchine, who famously choreographed multiple ballets to composer Igor Stravinsky’s scores, once said: “I like Stravinsky's music. It is so strict, so solid. It never comes apart. You cannot improvise upon it. It's built like mathematics.” See three of his ballets set to Stravinsky's music: Apollo, Orpheus, and Agon (seen here) on the Stravinsky & Balanchine program, JAN 22, 24, 26 eve & FEB 1, 2 mat: nycballet.com/stravinsky | New York City Ballet
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George Balanchine, who famously choreographed multiple ballets to co…
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George Balanchine once said, “Ballet is important and significant, yes. But first of all, it is a pleasure.” With this in mind, he created myriad works of all shapes and sizes. Raymonda Variations, Balanchine’s 1961 interpretation of a section of the Petipa ballet, shows a sweeter, more charming side of our founding choreographer’s style. The ballet, here performed by Erica Pereira leading the ballet's corps and soloists, returns this fall. | New York City Ballet
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George Balanchine once said, “Ballet is important and significant, yes. But …
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